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The Big Sing in the Desert: An Emphasis on Exchange and Common Ground

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dc.contributor.authorRickwood, Julie
dc.date.accessioned2022-08-31T22:55:50Z
dc.date.issued2014
dc.date.updated2021-08-01T08:43:37Z
dc.description.abstractThis story is framed within an Orff-like incorporation of the music of different cultures. Across the world, the Orff process has been adapted to reflect local traditions and local music-making. For Orff, the voice was central, as much a part of his practice as the Instrumentarium. This story is also one of crossing over cultures, where South African gospel has found a new expression in translation into Aboriginal languages, resulting in respectful exchange and community sharing.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn1320-078Xen_AU
dc.identifier.urihttp://hdl.handle.net/1885/272357
dc.language.isoen_AUen_AU
dc.publisherAustralian Council of Orff Schulwerken_AU
dc.rights© 2014 The authorsen_AU
dc.sourceMusicworks: Journal of the Australian Council of Orff Schulwerken_AU
dc.titleThe Big Sing in the Desert: An Emphasis on Exchange and Common Grounden_AU
dc.typeJournal articleen_AU
local.bibliographicCitation.issue1en_AU
local.bibliographicCitation.lastpage16en_AU
local.bibliographicCitation.startpage9en_AU
local.contributor.affiliationRickwood, Julie, College of Arts and Social Sciences, ANUen_AU
local.contributor.authoruidRickwood, Julie, u3424189en_AU
local.description.embargo2099-12-31
local.description.notesImported from ARIESen_AU
local.identifier.absfor360300 - Musicen_AU
local.identifier.ariespublicationu9501711xPUB39en_AU
local.identifier.citationvolume19en_AU
local.type.statusPublished Versionen_AU

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