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Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour

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dc.contributor.authorOttosson, Ase-Britt
dc.date.accessioned2015-12-10T22:27:30Z
dc.date.issued2009
dc.date.updated2016-02-24T10:20:44Z
dc.description.abstractBased on extensive fieldwork among Aboriginal country, rock and reggae musicians in the Central Australian deserts, the present paper expands the analytical theme of mediation for exploring intercultural transformations of Indigenous and male modes of being. Drawing on ethnographic descriptions from interstate touring ventures, it explores how various and overlapping ideas of masculinity and sense of selves are mobilised and transformed as the men engage with other 'blackfella' and 'whitefella' places, people and models of manhood and music. From such engagements, ambivalent 'mongrel' Aboriginal and male selves emerge that are nonetheless experienced as distinctive and deeply meaningful.
dc.identifier.issn1444-2213
dc.identifier.urihttp://hdl.handle.net/1885/54234
dc.publisherRoutledge, Taylor & Francis Group
dc.sourceAsia Pacific Journal of Anthropology, The
dc.subjectKeywords: Aboriginal Australia; Intercultural Theory; Masculinity; Popular Music
dc.titlePlaying with Others and Selves: Australian Aboriginal Desert Musicians on Tour
dc.typeJournal article
local.bibliographicCitation.issue2
local.bibliographicCitation.lastpage114
local.bibliographicCitation.startpage98
local.contributor.affiliationOttosson, Ase-Britt, College of Arts and Social Sciences, ANU
local.contributor.authoruidOttosson, Ase-Britt, u4095156
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor160104 - Social and Cultural Anthropology
local.identifier.ariespublicationu3923986xPUB295
local.identifier.citationvolume10
local.identifier.doi10.1080/14442210902842154
local.identifier.scopusID2-s2.0-68149132324
local.identifier.thomsonID000265868700003
local.type.statusPublished Version

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