Abolition and the Actress: Fanny Kemble's Evolving Views on Slavery and Gendered Exploitation in Labour and Trade
| dc.contributor.author | Flaherty, Kate | |
| dc.contributor.editor | Gilli Bush-Bailey | |
| dc.contributor.editor | Kate Flaherty | |
| dc.date.accessioned | 2024-06-24T22:48:31Z | |
| dc.date.available | 2024-06-24T22:48:31Z | |
| dc.date.issued | 2022 | |
| dc.date.updated | 2024-05-19T08:18:55Z | |
| dc.description.abstract | Actress Fanny Kemble (1809-93) led a transatlantic existence throughout her adult life. As burgeoning star and hope of the Siddons/Kemble dynasty, she crossed from Liverpool to New York in 1832 to make her fortune on the American stage. She then forsook the stage to marry a Georgian slave owner. Her life entailed 15 further crossings on account of deeply embedded interests - both public and private - in Britain and the United States. This chapter analyses how her particular experiences as a female worker in the expanding international entertainment industry shaped her critique of the race and gender-based injustices underpinning slavery as she witnessed and recorded it on her husband's plantations. It argues that her Journal of Residence on a Georgian Plantation (1863) in its 25-year transatlantic journey from private memoir to public polemic, reveals a touring performer's unique understanding of global, including human, commodity trade. | |
| dc.format.mimetype | application/pdf | en_AU |
| dc.identifier.isbn | 9781003055860 | |
| dc.identifier.uri | https://hdl.handle.net/1885/733713380 | |
| dc.language.iso | en_AU | en_AU |
| dc.publisher | Routledge Taylor & Francis Group | |
| dc.relation.ispartof | Touring Performance and Global Exchange 1850-1960: Making Tracks | |
| dc.rights | © 2022 The authors | |
| dc.title | Abolition and the Actress: Fanny Kemble's Evolving Views on Slavery and Gendered Exploitation in Labour and Trade | |
| dc.type | Book chapter | |
| local.bibliographicCitation.lastpage | 188 | |
| local.bibliographicCitation.placeofpublication | London | |
| local.bibliographicCitation.startpage | 171 | |
| local.contributor.affiliation | Flaherty, Kate, College of Arts and Social Sciences, ANU | |
| local.contributor.authoruid | Flaherty, Kate, u5046038 | |
| local.description.embargo | 2099-12-31 | |
| local.description.notes | Imported from ARIES | |
| local.description.refereed | Yes | |
| local.identifier.absfor | 360403 - Drama, theatre and performance studies | |
| local.identifier.absfor | 470504 - British and Irish literature | |
| local.identifier.ariespublication | u5163985xPUB244 | |
| local.identifier.doi | 10.4324/9781003055860-11 | |
| local.publisher.url | https://www.taylorfrancis.com/ | |
| local.type.status | Published Version |
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