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Vibrato in music – physics and psychophysics

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Date

Authors

Fletcher, Neville H.

Journal Title

Journal ISSN

Volume Title

Publisher

International Symposium on Music Acoustics

Abstract

Vibrato is a common feature of most present-day musical performances, from violins to opera singers, but its ubiquity has developed only since about the beginning of the nineteenth century. To some people it is an essential feature of musical performance while to others it is an unpleasant distortion of a musical experience. There are several different types of vibrato depending upon the person or instrument producing the sound, and the effect can vary greatly. This paper examines these various production techniques and their audible outcomes and then discusses the psycho-acoustic effects of vibrato on the listener

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Book Title

Proceedings of the International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics) 25-31 August 2010, Sydney and Katoomba, Australia

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Access Statement

Open Access via publisher website

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DOI

Restricted until

2037-12-31
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