Vibrato in music – physics and psychophysics
Loading...
Date
Authors
Fletcher, Neville H.
Journal Title
Journal ISSN
Volume Title
Publisher
International Symposium on Music Acoustics
Abstract
Vibrato is a common feature of most present-day musical performances, from violins to opera singers, but its ubiquity has developed only since about the beginning of the nineteenth century. To some people it is an essential feature of musical performance while to others it is an unpleasant distortion of a musical experience. There are several different types of vibrato depending upon the person or instrument producing the sound, and the effect can vary greatly. This paper examines these various production techniques and their audible outcomes and then discusses the psycho-acoustic effects of vibrato on the listener
Description
Keywords
Citation
Collections
Source
Type
Book Title
Proceedings of the International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics) 25-31 August 2010, Sydney and Katoomba, Australia
Entity type
Access Statement
Open Access via publisher website
License Rights
DOI
Restricted until
2037-12-31
Downloads
File
Description