Mapping with a Car and a Camera: Ralph Bagnold in the Libyan Desert
dc.contributor.author | deCourcy, Elisa | |
dc.date.accessioned | 2020-05-06T03:23:56Z | |
dc.date.issued | 2019-03 | |
dc.date.updated | 2019-11-25T08:04:43Z | |
dc.description.abstract | The view of a track-riven sandy terrain, dotted with the silhouettes of two cars and the remnants of a camp, was taken by British military engineer cum desert explorer, Ralph Bagnold during 1929 (Figure 1). The tread of the tyres arches violently across the fore and mid-ground, cutting through the furrows left in the sand by the wind and training the eye upward toward the horizon. The movement of the eye, in looking, mimics the motion suggested to have occurred immediately prior to exposure. More than this, the photograph is a synergy of the imprinting potential of the car and camera, both mechanized technologies united in their ability to mark out a surface. | en_AU |
dc.description.sponsorship | The research for this article was supported by the Australia Research Council Discovery Grant, Heritage in the Limelight (DP160102509). | en_AU |
dc.format.extent | 5 pages | en_AU |
dc.format.mimetype | application/pdf | en_AU |
dc.identifier.issn | 1751-4517 | en_AU |
dc.identifier.uri | http://hdl.handle.net/1885/203820 | |
dc.language.iso | en_AU | en_AU |
dc.publisher | Taylor & Francis (Routledge) | en_AU |
dc.relation | http://purl.org/au-research/grants/arc/DP160102509 | en_AU |
dc.rights | © 2018 Informa UK Limited, trading as Taylor & Francis Group | en_AU |
dc.source | Photography and Culture | en_AU |
dc.subject | photograph, inter-war exploration, Ralph Bagnold | en_AU |
dc.title | Mapping with a Car and a Camera: Ralph Bagnold in the Libyan Desert | en_AU |
dc.type | Journal article | en_AU |
local.bibliographicCitation.issue | 1 | en_AU |
local.bibliographicCitation.lastpage | 112 | en_AU |
local.bibliographicCitation.startpage | 109 | en_AU |
local.contributor.affiliation | deCourcy, Elisa, College of Arts and Social Sciences, The Australian National University | en_AU |
local.contributor.authoremail | Elisa.DeCourcy@anu.edu.au | en_AU |
local.contributor.authoruid | deCourcy, Elisa, u1031234 | en_AU |
local.description.embargo | 2037-12-31 | |
local.description.notes | Imported from ARIES | en_AU |
local.identifier.absfor | 190104 - Visual Cultures | en_AU |
local.identifier.absfor | 190102 - Art History | en_AU |
local.identifier.ariespublication | u6003913xPUB9 | en_AU |
local.identifier.citationvolume | 12 | en_AU |
local.identifier.doi | 10.1080/17514517.2018.1501197 | en_AU |
local.identifier.essn | 1751-4525 | en_AU |
local.identifier.scopusID | 2-s2.0-85053907785 | |
local.identifier.uidSubmittedBy | u6003913 | en_AU |
local.publisher.url | https://www.routledge.com/ | en_AU |
local.type.status | Published Version | en_AU |