Linearity And Nonlinearity In Musical Instruments

dc.contributor.authorFletcher, Neville H.
dc.date.accessioned2020-11-04T02:53:15Z
dc.date.issued1992
dc.description.abstractBasic understanding of musical instruments relies upon the fact that the primary vibrating element is, in nearly all cases, a simple linear extended vibrator with well defined mode frequencies. Some instruments, such as bells, guitars, and harpsichords, can be almost completely understood in.this approximation, though the discussion may necessarily be quite complicated because of the number of coupled linear systems involved. Instruments producing sustained sound, however, such as violins, clarinets, and trumpets, depend essentially for their operation upon nonlinear phenomena. These nonlinear phenomena largely determine the radiated acoustic power, the frequency spectrum, and the transient behaviour of the instrument. There has been great advance in our understanding of these matters over the past twenty years, and this paper will give an overview of musical instrument behaviour from this point of view.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.urihttp://hdl.handle.net/1885/213591
dc.language.isoen_AUen_AU
dc.publisherAcoustical Society of Japan and Catgut Acoustical Societyen_AU
dc.relation.ispartofISMA92: Proceedings of International Symposium on Musical Acousticsen_AU
dc.rights© 1992 Acoustical Society of Japan and Catgut Acoustical Societyen_AU
dc.titleLinearity And Nonlinearity In Musical Instrumentsen_AU
dc.typeConference paperen_AU
local.bibliographicCitation.lastpage18en_AU
local.bibliographicCitation.startpage15en_AU
local.contributor.affiliationFletcher, N. H., Department of Electronic Materials Engineering, The Australian National Universityen_AU
local.contributor.authoruidu1849746en_AU
local.description.embargo2037-12-31
local.type.statusPublished Versionen_AU

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