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Carved in living laurel: the sonnet sequence and transformations of idolatry

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dc.contributor.authorKambaskovic-Sawyers, Danijela
dc.date.accessioned2015-12-08T22:44:40Z
dc.date.issued2007
dc.date.updated2015-12-08T10:46:42Z
dc.description.abstractThis essay analyses the use of idolatry in representations of desire in six Renaissance sonnet sequences (Petrarch, Sidney, Spenser, Drayton, Daniel and Shakespeare). Seeking to offer a fresh perspective on the relationship between idolatry, gender dynamics and auto-poetics, the article reviews the changes in the use of idolatrous imagery to argue that they indicate changes in the authorial priorities relating to representations of desire and the writing self. (pp. 377-394).
dc.identifier.issn0269-1213
dc.identifier.urihttp://hdl.handle.net/1885/37499
dc.publisherWiley-Blackwell
dc.sourceRenaissance Studies
dc.titleCarved in living laurel: the sonnet sequence and transformations of idolatry
dc.typeJournal article
local.bibliographicCitation.issue3
local.bibliographicCitation.lastpage394
local.bibliographicCitation.startpage377
local.contributor.affiliationKambaskovic-Sawyers, Danijela, College of Arts and Social Sciences, ANU
local.contributor.authoruidKambaskovic-Sawyers, Danijela, u4563553
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor200503 - British and Irish Literature
local.identifier.ariespublicationu9313329xPUB149
local.identifier.citationvolume21
local.identifier.doi10.1111/j.1477-4658.2007.00365.x
local.identifier.scopusID2-s2.0-43249141886
local.type.statusPublished Version

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