'Electric Drama: Residual and Emergent Modernism in William Dobell's Television Drawings'
| dc.contributor.author | McAuliffe, Chris | |
| dc.date.accessioned | 2022-03-06T22:25:41Z | |
| dc.date.issued | 2016 | |
| dc.date.updated | 2020-12-20T07:22:32Z | |
| dc.description.abstract | William Dobell's sketchbooks of the late 1950s and 1960s represent one of the earliest sustained uses of the ballpoint pen by any artist. Made from images on viewed on television, they are an innovative engagement with new media, and represent a significant shift in the understanding of life drawing and observation. | en_AU |
| dc.format.mimetype | application/pdf | en_AU |
| dc.identifier.issn | 1839-6429 | en_AU |
| dc.identifier.uri | http://hdl.handle.net/1885/261846 | |
| dc.language.iso | en_AU | en_AU |
| dc.publisher | Griffith Centre for Creative Arts Research, Griffith University | en_AU |
| dc.rights | © 2016 | en_AU |
| dc.source | Studio Research | en_AU |
| dc.title | 'Electric Drama: Residual and Emergent Modernism in William Dobell's Television Drawings' | en_AU |
| dc.type | Journal article | en_AU |
| local.bibliographicCitation.issue | 4 | en_AU |
| local.bibliographicCitation.lastpage | 81 | en_AU |
| local.bibliographicCitation.startpage | 74 | en_AU |
| local.contributor.affiliation | McAuliffe, Christopher, College of Arts and Social Sciences, ANU | en_AU |
| local.contributor.authoruid | McAuliffe, Christopher, u1003730 | en_AU |
| local.description.embargo | 2099-12-31 | |
| local.description.notes | Imported from ARIES | en_AU |
| local.identifier.absfor | 190102 - Art History | en_AU |
| local.identifier.absseo | 950104 - The Creative Arts (incl. Graphics and Craft) | en_AU |
| local.identifier.ariespublication | U1003730xPUB9 | en_AU |
| local.type.status | Published Version | en_AU |
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