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'Electric Drama: Residual and Emergent Modernism in William Dobell's Television Drawings'

dc.contributor.authorMcAuliffe, Chris
dc.date.accessioned2022-03-06T22:25:41Z
dc.date.issued2016
dc.date.updated2020-12-20T07:22:32Z
dc.description.abstractWilliam Dobell's sketchbooks of the late 1950s and 1960s represent one of the earliest sustained uses of the ballpoint pen by any artist. Made from images on viewed on television, they are an innovative engagement with new media, and represent a significant shift in the understanding of life drawing and observation.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn1839-6429en_AU
dc.identifier.urihttp://hdl.handle.net/1885/261846
dc.language.isoen_AUen_AU
dc.publisherGriffith Centre for Creative Arts Research, Griffith Universityen_AU
dc.rights© 2016en_AU
dc.sourceStudio Researchen_AU
dc.title'Electric Drama: Residual and Emergent Modernism in William Dobell's Television Drawings'en_AU
dc.typeJournal articleen_AU
local.bibliographicCitation.issue4en_AU
local.bibliographicCitation.lastpage81en_AU
local.bibliographicCitation.startpage74en_AU
local.contributor.affiliationMcAuliffe, Christopher, College of Arts and Social Sciences, ANUen_AU
local.contributor.authoruidMcAuliffe, Christopher, u1003730en_AU
local.description.embargo2099-12-31
local.description.notesImported from ARIESen_AU
local.identifier.absfor190102 - Art Historyen_AU
local.identifier.absseo950104 - The Creative Arts (incl. Graphics and Craft)en_AU
local.identifier.ariespublicationU1003730xPUB9en_AU
local.type.statusPublished Versionen_AU

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