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Privacy Openness - CAA Inter Youth

dc.contributor.authorBeer, Emma
dc.date.accessioned2023-08-30T00:26:31Z
dc.date.issued2016
dc.date.updated2022-07-24T08:21:13Z
dc.description.abstractMy painting practice is engaged with pictorial illusion through abstraction. I work with layering luminous coloured glazes to build up hard edged colour fields. Line and edge become an important means of exploring surface, space and movement. The primary focus of my work is to generate material and process based questions around what painting can be. This focus is to explore the variety of material states paint can embody. My works also generates a productive tension between two distinct histories of modernist abstraction: hard edged geometry that is counter posed with painterly gesture. In my paintings pictorial elements are formally constructed, collide against territories where the paint appears unselfconsciously and loosely applied. The paintings uncover more to the audience with longer viewing, as what initially appears to be an active and dynamic image is revealed a complex, layered and slowly constructed work.en_AU
dc.format.extent2ppen_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.urihttp://hdl.handle.net/1885/297089
dc.language.isoen_AUen_AU
dc.publisherChina Academy of Art Pressen_AU
dc.rights© 2016 China Academy of Art Pressen_AU
dc.titlePrivacy Openness - CAA Inter Youthen_AU
dc.typeCreative worken_AU
local.bibliographicCitation.lastpage41en_AU
local.bibliographicCitation.placeofpublicationHangzhou City, China.
local.bibliographicCitation.startpage40en_AU
local.contributor.affiliationBeer, Emma, College of Arts and Social Sciences, ANUen_AU
local.contributor.authoruidBeer, Emma, u4313654en_AU
local.description.embargo2099-12-31
local.description.notesImported from ARIESen_AU
local.identifier.absfor360602 - Fine artsen_AU
local.identifier.ariespublicationu4070761xPUB334en_AU
local.type.statusPublished Versionen_AU

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