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The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

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Encoding the Dreaming: a theoretical framework for the analysis of representational processes in Australian Aboriginal Art

dc.contributor.authorMorphy, Howard
dc.date.accessioned2015-12-13T23:23:59Z
dc.date.available2015-12-13T23:23:59Z
dc.date.issued1999
dc.date.updated2015-12-12T09:18:45Z
dc.identifier.issn0312-2417
dc.identifier.urihttp://hdl.handle.net/1885/92021
dc.publisherAustralian Archaeology Association
dc.sourceAustralian Archaeology
dc.titleEncoding the Dreaming: a theoretical framework for the analysis of representational processes in Australian Aboriginal Art
dc.typeJournal article
local.bibliographicCitation.issueDecember
local.bibliographicCitation.lastpage22
local.bibliographicCitation.startpage13
local.contributor.affiliationMorphy, Howard, College of Arts and Social Sciences, ANU
local.contributor.authoruidMorphy, Howard, u7800269
local.description.notesImported from ARIES
local.description.refereedYes
local.identifier.absfor190103 - Art Theory
local.identifier.absfor200201 - Aboriginal and Torres Strait Islander Cultural Studies
local.identifier.ariespublicationMigratedxPub22977
local.identifier.citationvolume49
local.type.statusPublished Version

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