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A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation

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dc.contributor.authorMartin, Charles
dc.contributor.authorGardner, Henry
dc.contributor.editorEngland, David
dc.contributor.editorSchiphorst, Thecla
dc.contributor.editorBryan-Kinns, Nick
dc.date.accessioned2024-04-15T01:09:25Z
dc.date.available2024-04-15T01:09:25Z
dc.date.issued2016
dc.description.abstractMusical performances with touch-screen devices can be recorded by capturing a log of touch interactions. This object can serve as an archive or as a basis for other representations of the musical work. This chapter presents a protocol for recording ensemble touch-screen performances and details the processes for generating visualisations, gestural classifications, and graphical scores from these logs. Our experience of using these new representations to study a series of improvised ensemble performances with iPad-based digital musical instruments leads us to conclude that these new-media artefacts allow unique insights into ensemble interactions, comprehensive archiving of improvised performances, and the potential for re-synthesis into new performances and artworks.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.citationMartin, C., Gardner, H. (2016). A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation. In: England, D., Schiphorst, T., Bryan-Kinns, N. (eds) Curating the Digital. Springer Series on Cultural Computing. Springer, Cham. https://doi.org/10.1007/978-3-319-28722-5_5en_AU
dc.identifier.isbn978-3-319-28720-1en_AU
dc.identifier.issn2195-9056en_AU
dc.identifier.urihttp://hdl.handle.net/1885/316737
dc.language.isoen_AUen_AU
dc.provenancehttps://www.springer.com/gp/rights-permissions/our-policy-on-archiving-in-institutional-or-funding-body-reposit/6629030..."Authors whose work is accepted for publication in a non-open access Palgrave Macmillan book may deposit their author’s accepted manuscript (AAM) in their institutional or funder repository, provided that the following conditions are observed. 24 months embargo" from the publisher site (as at 15 April 2024)en_AU
dc.publisherSpringer Verlagen_AU
dc.relation.ispartofCurating the Digital: Space for Art and Interactionen_AU
dc.relation.ispartofseriesSpringer Series on Cultural Computingen_AU
dc.rights© 2016 Springer International Publishing AGen_AU
dc.subjectcomputer musicen_AU
dc.subjecttouchscreenen_AU
dc.subjectimprovisationen_AU
dc.subjectdataen_AU
dc.titleA Percussion-Focussed Approach to Preserving Touch-Screen Improvisationen_AU
dc.typeBook chapteren_AU
dcterms.accessRightsOpen Accessen_AU
local.bibliographicCitation.lastpage72en_AU
local.bibliographicCitation.startpage51en_AU
local.contributor.affiliationSchool of Computing, College of Engineering, Computing and Cyberneticsen_AU
local.contributor.authoruidu4110680en_AU
local.identifier.doi10.1007/978-3-319-28722-5_5en_AU
local.publisher.urlhttps://link.springer.com/en_AU
local.type.statusAccepted Versionen_AU

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