More than Noise: The Integrated Soundtrack of Noise
Date
2010
Authors
Hadland, Nicholas
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Southern Cross University
Abstract
Conventional discourses accounting for film music�s subordination and the vertical stratification of image, sound and music have been superseded by more integrated and complex scoring approaches. Contemporary Australian films utilising a hybridised or interdisciplinary approach and, influenced by new technologies and media, adopt a more unified method of �sounding� their narratives. Analysing Matthew Saville�s Noise (2007), this article will highlight the operation of sound and music in relation to the film�s principal themes, exposing the complex machinations of the film�s auditory components. It will discuss these complexities with particular reference to the new perspective they provide to the film noir genre.
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Screen Sound Journal
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Journal article
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2037-12-31
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