Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

Indian idol: Narrating the story of Krishna in Globalising contexts

Loading...
Thumbnail Image

Date

Authors

Taylor, McComas

Journal Title

Journal ISSN

Volume Title

Publisher

The Australian National University

Abstract

This project aims to describe, explore and evaluate the impact of globalisation on an important Hindu tradition, a week-long story-telling event known as a Bhāgavatasaptāha in Sanskrit or Bhāgvat-saptāh in Hindi. The saptāh focuses on the narratives of the deity Viṣṇu and in particular, his manifestation as Kṛṣṇa. These stories are preserved in their most authoritative form in the Sanskrit text of the Bhāgavatapurāṇa. In the first part of this report I examine the traditional instructions for a saptāh which are contained in the Bhāgavatapurāṇa itself. These instructions cover the preparations for the event, the conduct of the seven-day narrative itself, and followup matters, including remuneration. I refer to this as the ―archetype‖. The second part of the report contains descriptions—―reflexive ethnographies‖—of two saptāh events. These took place in Vrindavan, Uttarpradesh, and in Naluna, Uttarakhand, in November 2009. I include references to other saptāhs to provide contextualisation for these two case studies. In the third part, I compare the archetype with the case studies, and identify seven major continuities: the central role of the text, temporal aspects, cost, visual preparation, spatial arrangement, restrictions on the sponsor and social inclusiveness. I also identify four major areas in which the two case studies diverge from the archetype: sectarian content, the role of the local village deity (devtā), the role of the firesacrifice (yajña), and the use of the vernacular. In the final part, I evaluate the impact of globalising processes on both the continuities with the archetype and the divergences from it. Continuities and divergences are found to take place both in spite of, and because of, globalising processes. I conclude that as cultural practices become more deeply enmeshed in globalising practices, the most successful and sustainable communities will be those that are sufficiently empowered to negotiate their own relationships with these processes, and which are able to maintain or adapt their own identities, belief systems and cultural practices on their own terms.

Description

Keywords

Citation

Source

Book Title

Entity type

Access Statement

License Rights

DOI

Restricted until

2099-12-31