From Inferno to Paradiso? Towards Reconciliation
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Carroli, Piera
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Troubador Publishing Ltd
Abstract
The role of narrating the self, by conscious or subconscious means, is crucial
to accessing and coming to terms with trauma. Marilù Oliva represents this
process through some of her protagonists, especially La Guerrera. Progression
towards reconciliation is only possible if the protagonist is open to ‘other’
cultural and social experiences, to mezcla, and eventually to others, and such
experiences motivate characters towards change. If this impetus is missing,
reconciliation is impossible; conversely, the characters slide into aggressive
responses in order to deal with their trauma. La Guerrera has a passion for mezcla
– networking, respecting difference and valuing other approaches to life. Her
zeal for crime solving is a major factor in her tortuous trajectory towards coming
to terms with her traumas. This chapter traces La Guerrera’s harrowing
memories, and some of the strategies that enable her to reconcile with her past,
with reference to trauma studies and nomadic subjectivity. It also provides
comparative links with the author’s other texts in relation to the treatment of
these themes.
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Mezcla World Noir in Italy: Marilu Oliva: The Female Poetic in New Millennium Crime Fiction
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Restricted until
2037-12-31
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