Skating Toward Americanization: The Evolution of Katarina Witt throughout the 1980s
Abstract
At the 1987 World Figure Skating Championship, Katarina Witt skated to instrumental music from West Side Story playing the role of Maria.
But how could her performance to Broadway show tunes be in line with SED ideology? Through histoire croisée— establishing multiple intersections with different cultures and tracing their continuing effects—this article examines how
Witt’s, her coach Jutta Müller’s and horeographer Rudy Suchy’s privileged exposure to Western culture through dance, music, film, experiences abroad, and other skaters’ choreography and costuming inspired reappropriated manifestations
through an East German lens into the packaging of Witt’s skating programs in the 1980s. Using television broadcasts, I analyze the gradual to
overt Americanization of her programs as her government loosened its grips
by granting her more artistic freedom.
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German Politics and Society
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2037-12-31
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