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Rock art, perception and the subject/object binary

dc.contributor.authorDobrez, Livio
dc.date.accessioned2015-12-10T22:41:23Z
dc.date.issued2011
dc.date.updated2020-12-20T07:42:10Z
dc.description.abstractIn what perceptual circumstances does a representation qualify as a 'scene', i.e. something we 'see' as a scene? There is a common assumption that we see subjectively and therefore need to bypass everyday intuitive seeing in order to see objectively. This paper outlines a reception theory approach to perception based on phenomenology. It examines problems generated by attempts to apply objective criteria to rock art classifications, as well as by a subjectivist appeal to 'original intention'. In so doing, it offers a new and detailed definition of 'scene' and associated concepts, arguing for a view of perception as neither subjective nor objective.
dc.identifier.issn0813-0426
dc.identifier.urihttp://hdl.handle.net/1885/57876
dc.publisherArchaeological Publications
dc.sourceRock Art Research
dc.titleRock art, perception and the subject/object binary
dc.typeJournal article
local.bibliographicCitation.issue1
local.bibliographicCitation.lastpage83
local.bibliographicCitation.startpage71
local.contributor.affiliationDobrez, Livio, College of Arts and Social Sciences, ANU
local.contributor.authoruidDobrez, Livio, u7400029
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor190103 - Art Theory
local.identifier.absfor190102 - Art History
local.identifier.absfor210103 - Archaeology of Asia, Africa and the Americas
local.identifier.absseo970121 - Expanding Knowledge in History and Archaeology
local.identifier.absseo970116 - Expanding Knowledge through Studies of Human Society
local.identifier.absseo950304 - Conserving Intangible Cultural Heritage
local.identifier.ariespublicationu9313329xPUB418
local.identifier.citationvolume28
local.identifier.thomsonID000287793700009
local.type.statusPublished Version

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