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Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation

dc.contributor.authorWallace, Benedikte
dc.contributor.authorMartin, Charles
dc.contributor.authorTorresen, Jim
dc.contributor.authorNymoen, Kristian
dc.coverage.spatialVirtual Event Italy
dc.date.accessioned2024-01-29T01:06:37Z
dc.date.createdJune 22 - 23, 2021
dc.date.issued2021
dc.date.updated2022-10-02T07:18:27Z
dc.description.abstractThrough dance, a wide range of emotions can be expressed. As virtual agents and robots continue to become part of our daily lives, the need for them to efficiently convey emotion and intent increases. When trained to dance, to what extent can AI learn to model the tacit mappings between sound and motion? Here, we explore the creative capacity of a generative model trained on 3D motion capture recordings of improvised dance. We perform a perceptual judgment experiment wherein respondents rate movement generated by our model as well as human performances. While the sound-motion mappings remain somewhat elusive, particularly when compared to examples of human dance, our study shows that in certain aspects related to perceived dance-likeness and expressivity, the model successfully mimics human dance movement. By employing a perceptual study to evaluate our generative model, we aim to further our ability to understand the affordances and limitations of creative AI.en_AU
dc.description.sponsorshipThis work was partially supported by the Research Council of Norway through its Centres of Excellence scheme, project number 262762.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.isbn978-1-4503-8376-9en_AU
dc.identifier.urihttp://hdl.handle.net/1885/311891
dc.language.isoen_AUen_AU
dc.publisherAssociation for Computing Machinery (ACM)en_AU
dc.relation.ispartofseriesC&C 21: Creativity and Cognitionen_AU
dc.rights© 2021 Copyright held by the owner/author(s). Publication rights licensed to ACM.en_AU
dc.subjectGenerative AIen_AU
dc.subjectDanceen_AU
dc.subjectEmbodied Music Cognitionen_AU
dc.subjectMixture Density Networksen_AU
dc.subjectPerceptual judgement experimenten_AU
dc.titleLearning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisationen_AU
dc.typeConference paperen_AU
local.bibliographicCitation.lastpage9en_AU
local.bibliographicCitation.startpage1en_AU
local.contributor.affiliationWallace, Benedikte, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Department of Informaticsen_AU
local.contributor.affiliationMartin, Charles, College of Engineering and Computer Science, ANUen_AU
local.contributor.affiliationTorresen, Jim, University of Osloen_AU
local.contributor.affiliationNymoen, Kristian, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Department of Informaticsen_AU
local.contributor.authoruidMartin, Charles, u4110680en_AU
local.description.embargo2099-12-31
local.description.notesImported from ARIESen_AU
local.description.refereedYes
local.identifier.absfor461103 - Deep learningen_AU
local.identifier.absfor460806 - Human-computer interactionen_AU
local.identifier.absfor460707 - Sound and music computingen_AU
local.identifier.absseo280115 - Expanding knowledge in the information and computing sciencesen_AU
local.identifier.ariespublicationa383154xPUB20738en_AU
local.identifier.doi10.1145/3450741.3465245en_AU
local.identifier.scopusID2-s2.0-85109091499
local.publisher.urlhttps://dl.acm.org/doi/10.1145/3450741.3465245en_AU
local.type.statusPublished Versionen_AU

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