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A-changin' times: The art of Martin Sharp in the 1960s

dc.contributor.authorGunn, Anthea
dc.date.accessioned2015-12-10T23:01:02Z
dc.date.issued2010
dc.date.updated2016-02-24T08:31:03Z
dc.description.abstractMartin Sharp's art and design is increasingly seen as emblematic of the dynamic social changes and popular culture associated with London in the late 1960s. However his complex body of work, including illustrations, posters, album covers, collages and paintings, have yet to be fully explored or appreciated. This article surveys the development of Sharp's practice in the 1960s, tracing the recurring iconography that crosses from one medium to another. It argues that his work cannot be fully understood without reference to the entire spectrum of his design, illustration and art works and the context for their creation in Sydney and then London.
dc.identifier.issn1444-3058
dc.identifier.urihttp://hdl.handle.net/1885/61601
dc.publisherUniversity of Queensland Press
dc.sourceJournal of Australian Studies
dc.subjectKeywords: 1960s london; 1960s visual arts; Australian art; Martin Sharp; OZ magazine; Posters
dc.titleA-changin' times: The art of Martin Sharp in the 1960s
dc.typeJournal article
local.bibliographicCitation.issue2
local.bibliographicCitation.lastpage193
local.bibliographicCitation.startpage179
local.contributor.affiliationGunn, Anthea, College of Arts and Social Sciences, ANU
local.contributor.authoruidGunn, Anthea, u3298433
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor190102 - Art History
local.identifier.absseo950104 - The Creative Arts (incl. Graphics and Craft)
local.identifier.ariespublicationf2965xPUB624
local.identifier.citationvolume34
local.identifier.doi10.1080/14443051003724514
local.identifier.scopusID2-s2.0-77951731592
local.type.statusPublished Version

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