Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

From the Transnational to the Intimate: Multidirectional Memory, the Holocaust and Colonial Violence in Australia and Beyond

Loading...
Thumbnail Image

Date

Authors

kennedy, Rosanne
Graefenstein, Sulamith

Journal Title

Journal ISSN

Volume Title

Publisher

Springer Verlag

Abstract

In Australia, public remembrance, particularly relating to national identity and colonial violence, has been contentious. In this article, we take Australia’s recent bid to join the International Holocaust Remembrance Alliance (IHRA) as an opportunity to identify national, local and multidirectional dynamics shaping public remembrance of the Holocaust and colonial violence in Australia. Joining IHRA signifies a belated national commitment to Holocaust remembrance, which has traditionally been fostered in Australia by survivor communities. Significantly, the Sydney Jewish Museum (SJM) has recently ventured beyond survivor memory, positioning Holocaust remembrance as a platform to identify ongoing human rights violations against Indigenous Australians and other marginalized groups. While this multidirectional framework promotes an inclusive practice of remembrance, we argue that it may inadvertently flatten complex histories into instances of “human rights violations” and decentre the foundational issue of settler colonial violence in Australia. To explore the personal and affective work of remembering settler violence from an Indigenous perspective, we turn to two multiscalar artworks by Judy Watson that exemplify a mnemonic politics of location. the names of places contributes to a local and national public remembrance of settler violence by identifying and mapping colonial massacre sites. In experimental beds, Watson links her matrilineal family history of racial exclusion with that of Thomas Jefferson’s slave, Sally Hemings. This transnational decolonial feminist work takes the gendered and racialized body and intimate sexual appropriation as a ground for a multidirectional colonial memory, thereby providing an alternative to the dominant Holocaust paradigm and its idiom of human rights.

Description

Keywords

Citation

Source

International Journal of Politics, Culture and Society

Book Title

Entity type

Access Statement

License Rights

Restricted until

2037-12-31