Music Pluralism, Music Realism, and Music Archaeology
Abstract
According to pluralism about some concept, there are multiple non-equivalent, legitimate concepts pertaining to the (alleged)
ontological category in question. It is an open question whether conceptual pluralism implies anti-realism about that category.
In this article, I argue that at least for the case of music, it does not. To undermine the application of an infuential move
from pluralism (about music concepts) to anti-realism (about the music category), then, I provide an argument in support of
indiference realism about music, by appeal to music archaeological research, via an analogy with Adrian Currie's indiference
realism about species licensed by paleobiological research.
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Topoi: an international review of philosophy
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2037-12-31
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