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Commentary: Encounters at the National Museum of Australia: a moment in an ongoing process of engagement

dc.contributor.authorMorphy, Howard
dc.date.accessioned2019-11-27T23:04:25Z
dc.date.issued2017-09-02
dc.date.updated2019-06-02T08:17:52Z
dc.description.abstractThis is not an easy paper to for me to respond to as I took part in the research project associated with the Encounters exhibition and was involved in the curation of Indigenous Australia – Enduring Civilisation at the British Museum. However I did not have any role in the Encounters exhibition itself. Robinson begins by stating that the dual mandate of museums – institutions that preserve, document and research collections as well as providing diverse opportunities for community access – is being substituted by a range of participatory practices. My perspective, perhaps to be judged as naïve, is that the collections and the different ways in which they are valued are likely instead to be at the centre of participatory practice. The research project that led to the two exhibitions was intended to be a stage in a participatory process linking objects in the British Museum with Indigenous communities in Australia, researching the existing evidence about the historical and cultural significance of the objects at the time of their manufacture and their present significance to the descendant communities. The research and the exhibitions could only be stages in the process given the scale of collections and the complexity of the undertaking.en_AU
dc.format.extent5 pagesen_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn1352-7258en_AU
dc.identifier.urihttp://hdl.handle.net/1885/186862
dc.language.isoen_AUen_AU
dc.publisherTaylor & Francis Groupen_AU
dc.rights© 2017 Howard Morphy. Published with licence by Informa UK Limited, trading as Taylor & Francis Groupen_AU
dc.sourceInternational Journal of Heritage Studiesen_AU
dc.titleCommentary: Encounters at the National Museum of Australia: a moment in an ongoing process of engagementen_AU
dc.typeJournal articleen_AU
dcterms.dateAccepted2017-05-28
local.bibliographicCitation.issue9en_AU
local.bibliographicCitation.lastpage878en_AU
local.bibliographicCitation.startpage875en_AU
local.contributor.affiliationMorphy, Howard, College of Arts and Social Sciences, The Australian National Universityen_AU
local.contributor.authoruidMorphy, Howard, u7800269en_AU
local.description.embargo2037-12-31
local.description.notesImported from ARIESen_AU
local.identifier.absfor210204 - Museum Studiesen_AU
local.identifier.absfor160104 - Social and Cultural Anthropologyen_AU
local.identifier.ariespublicationu4351680xPUB50en_AU
local.identifier.citationvolume23en_AU
local.identifier.doi10.1080/13527258.2017.1347577en_AU
local.identifier.essn1470-3610en_AU
local.identifier.scopusID2-s2.0-85028777171
local.identifier.thomsonID000409187600007
local.publisher.urlhttps://www.routledge.com/en_AU
local.type.statusPublished Versionen_AU

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