Writing craft / writing history

Date

2009-09-22T03:02:11Z

Authors

Kleinert, Sylvia

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Australian National University

Abstract

The point is often made that the entry of Aboriginal art into public galleries has involved a fundamental shift in perception from the anonymous, scientific categories of ethnography to the status accorded the aesthetic art object. But in celebrating the recognition for contemporary Aboriginal art we need to be mindful that discourses of Aboriginality are constituted in and through colonial power relationships.

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Citation

Humanities Research 7.1 (2000): 77-96

Source

Humanities Research

Type

Journal article

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Acknowledgement of Country

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.


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