Writing craft / writing history
Date
2009-09-22T03:02:11Z
Authors
Kleinert, Sylvia
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Australian National University
Abstract
The point is often made that the entry of
Aboriginal art into public galleries has
involved a fundamental shift in perception
from the anonymous, scientific categories
of ethnography to the status accorded the
aesthetic art object. But in celebrating the
recognition for contemporary Aboriginal
art we need to be mindful that discourses
of Aboriginality are constituted in and
through colonial power relationships.
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Citation
Humanities Research 7.1 (2000): 77-96
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Humanities Research
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Journal article
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