Assembly [Exhibition]
| dc.contributor.author | Krischer, Olivier | |
| dc.date.accessioned | 2024-02-06T03:10:22Z | |
| dc.date.available | 2024-02-06T03:10:22Z | |
| dc.date.issued | 2024-02-15 | |
| dc.description.abstract | Catalogue publication for Assembly exhibition, Feb–May 2024. An ‘assembly’ can be a temporary collective with a shared sense of purpose, or a creative, resilient (and sometimes precarious) construction. Assembly brings together eight Hong Kong-born artists from different generations of the diaspora. Amid the current wave of migration, this exhibition explores the act of ‘making sense’ of layers and fragments, of memories and stories, told or untold. Assembly embraces the resonance and dissonance between the diverse creative practices of these artists, questioning readymade notions of diasporic identity. | en_AU |
| dc.description.sponsorship | This project has now been years in the making and sincere thanks should go to the artists, our program collaborators, loan institutions and colleagues for their patience and trust. In particular, we would like to acknowledge: b minor for their support of the publication; the generous loan institutions Griffith University and Art Museum, the Art Gallery of New South Wales and White Rabbit Collection, as well as Artspace for image permissions; ANU School of Art & Design (especially Chaitanya Sambrani, Ella Barclay, Alia Parker, Alex Burchmore, Lucy Irvine,) the ANU School of Music (especially Alec Hunter and team), Tony Oates and the Drill Hall Gallery, for their collaboration and support of the exhibition production and programs; thanks and respect to Melvin Tan and George Dutton at Currency Design for their keen interpretation of the exhibition concept. Olivier would also like to personally thank peers Natalie Seiz and Rachael Kiang for their collegial advice and conversation; much gratitude to Luke Roberts, Scott Redford and Nick Tsoutas for their insight into the work of the late Hiram To; and finally heartfelt thanks to the CIW Gallery team: Ari Heinrich, Sharon Strange and Melodie Liu, without you this would not have been possible. | en_AU |
| dc.format.mimetype | application/pdf | en_AU |
| dc.identifier.uri | http://hdl.handle.net/1885/313268 | |
| dc.language.iso | en_AU | en_AU |
| dc.publisher | Australian Centre on China in the World | en_AU |
| dc.rights | © Australian Centre on China in the World | en_AU |
| dc.rights.license | Creative Commons License (Attribution 4.0 International) | en_AU |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | en_AU |
| dc.subject | Hong Kong | en_AU |
| dc.subject | Chunyin Rainbow Chan | en_AU |
| dc.subject | Nikki Lam | en_AU |
| dc.subject | Hiram To | en_AU |
| dc.subject | Pamela Leung | en_AU |
| dc.subject | Firenze Lai | en_AU |
| dc.subject | Cyrus Tang | en_AU |
| dc.subject | Howie Tsui | en_AU |
| dc.subject | John Young Zerunge | en_AU |
| dc.subject | migration | en_AU |
| dc.subject | diaspora | en_AU |
| dc.subject | identity | en_AU |
| dc.subject | art | en_AU |
| dc.subject | Chinese--20th century | en_AU |
| dc.title | Assembly [Exhibition] | en_AU |
| dc.type | Exhibition or event | en_AU |
| dcterms.accessRights | Open Access | en_AU |
| local.contributor.affiliation | UNSW Art and Design | en_AU |
| local.description.notes | More content will be added in approximately one month | en_AU |
| local.identifier.absfor | 360699 - Visual arts not elsewhere classified | en_AU |
| local.identifier.absfor | 360199 - Art history, theory and criticism not elsewhere classified | en_AU |
| local.identifier.absseo | 130702 - Understanding Asia’s past | en_AU |
| local.identifier.absseo | 280116 - Expanding knowledge in language, communication and culture | en_AU |
| local.identifier.doi | 10.25911/WM99-NP53 | |
| local.mintdoi | mint | en_AU |
| local.publisher.url | http://ciw.anu.edu.au/ | en_AU |
| local.type.status | Published Version | en_AU |