Performing Beethoven - what it feels like to embody a master on today's stage

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dc.contributor.authorDavie, Scott
dc.date.accessioned2023-06-09T00:21:39Z
dc.date.available2023-06-09T00:21:39Z
dc.date.issued2020-02-05
dc.date.updated2022-04-03T08:17:02Z
dc.description.abstractThis article in The Conversation was commissioned to mark the 250th anniversary of the birth of Ludvig van Beethoven. In it, I discuss the role of the performer in Beethoven's piano music, providing examples from the composer's catalogue of works. I also provided one of the audio examples for the article (i.e., my own performance).en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn2201-5639en_AU
dc.identifier.urihttp://hdl.handle.net/1885/293412
dc.language.isoen_AUen_AU
dc.publisherThe Conversationen_AU
dc.rights© 2020 The Author(s)en_AU
dc.rights.licenseAttribution-NoDerivatives 4.0 International (CC BY-ND 4.0)en_AU
dc.rights.urihttps://creativecommons.org/licenses/by-nd/4.0/en_AU
dc.sourceThe Conversationen_AU
dc.source.urihttps://theconversation.com/performing-beethoven-what-it-feels-like-to-embody-a-master-on-todays-stage-129184en_AU
dc.titlePerforming Beethoven - what it feels like to embody a master on today's stageen_AU
dc.typeNewspaper/magazine articleen_AU
dcterms.accessRightsOpen Accessen_AU
local.contributor.affiliationDavie, Scott, College of Arts and Social Sciences, ANUen_AU
local.contributor.authoruidDavie, Scott, u1085125en_AU
local.description.notesImported from ARIESen_AU
local.identifier.absfor360300 - Musicen_AU
local.identifier.ariespublicationa383154xPUB11631en_AU
local.publisher.urlhttps://theconversation.com/en_AU
local.type.statusPublished Versionen_AU

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