The 'little r' in Artistic Research Training

dc.contributor.authorDraper, Paulen_AU
dc.contributor.authorCunio, Kimen_AU
dc.contributor.editorScott Harrisonen_AU
dc.date.accessioned2018-02-20T06:23:08Z
dc.date.available2018-02-20T06:23:08Z
dc.date.issued2014en_AU
dc.description.abstractThe idea of 'artistic research' is increasingly gaining acceptance in the academy, one of its characteristics being that it accepts subjectivity (aka 'little r' research) as opposed to traditional scientific or statistical methods ('big R' research). Artists investigate, test and question their work, where the personal insights gained are placed in a context aiming to enhance knowledge both for themselves and within their own disciplines. This chapter details a number of interwoven components which present both familiar and unfamiliar thinking about musical practices in order to explore the following questions: How may musical thinking and its artistic outcomes be considered 'research'? And, in what ways may its artefacts best serve to exemplify this?en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.isbn9789400774346en_AU
dc.identifier.urihttp://hdl.handle.net/1885/140961
dc.language.isoen_AUen_AU
dc.publisherUK: Springeren_AU
dc.relation.ispartofResearch and Research Education in Music Performance and Pedagogyen_AU
dc.titleThe 'little r' in Artistic Research Trainingen_AU
dc.typeBook chapteren_AU
dcterms.accessRightsOpen Accessen_AU
local.bibliographicCitation.lastpage117en_AU
local.bibliographicCitation.startpage105en_AU
local.identifier.absfor190406 - Music Compositionen_AU
local.identifier.doi10.1007/978-94-007-7435-3_8en_AU
local.publisher.urlhttp://www.springerlink.com/books/en_AU
local.type.statusAccepted versionen_AU

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