Rethinking the age and unity of large naturalistic animal forms in early Western Arnhem Land Rock Art, Australia
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Jones, Tristen
Wesley, Daryl
May, Sally K.
Johnston, Iain G.
McFadden, Clare
Tacon, Paul
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Taylor & Francis Group
Abstract
The analysis of style is a widespread method for describing classes of rock art and plays a
significant role in forming a chronology for Arnhem Land rock art assemblages. A longstanding issue identified in Arnhem Land rock art has been the ill-defined nature of the ‘Large
Naturalistic Style’ (LNS) as originally proposed by rock art researcher George Chaloupka. We
have re-examined the distribution, frequency and the stylistic design attributes of 163 early
naturalistic macropod paintings from 88 rock art sites across the region utilising predominately legacy records. This provides us with an opportunity to re-examine Chaloupka’s stylistic
category of the LNS and describe and map the stylistic attributes used by Indigenous artists
in the depictions of early naturalistic animal forms that occur through the Early and Middle
Periods (from Pleistocene to early Holocene). We examine Chaloupka’s LNS against established criteria for the definition of a style, such as whether it exhibits a specific and characteristic manner of production and if it is localised to a specific time and place. We present
the first reported quantifiable dataset of design attributes for this regional art type. The
results provide an opportunity to re-evaluate the temporal and spatial coherence of the
Large Naturalistic Style class of rock art. Although a generalised standard depiction of naturalistic macropod forms exists in Early Period rock art, the original definition of LNS and its
chronological placement in the rock art sequence is not supported. Therefore, we propose
using the more generalised term ‘early large naturalistic fauna’ to represent this class of rock
art, rather than LNS in the Arnhem Land rock art schema. This provides a platform by which
future research can attempt to investigate the function of early large naturalistic fauna and
the potential links of this class of rock art to group identity, ritual and religious behaviours
in northern Australia.
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Australian Archaeology
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Restricted until
2099-12-31
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