Tracing lineages: The work of remembering, mourning and honouring in Romaine Moreton's the Farm

dc.contributor.author	Nugent, Maria
dc.date.accessioned	2015-12-07T22:25:32Z
dc.date.issued	2013
dc.date.updated	2015-12-07T09:38:00Z
dc.description.abstract	How do Aboriginal people in settler-colonial Australia negotiate the entwined experiences and histories of displacement and emplacement? Romaine Moreton's short film The Farm (2009) engages with these experiences and histories through the perspective of A
dc.identifier.issn	1750-3175
dc.identifier.uri	http://hdl.handle.net/1885/21350
dc.publisher	Intellect Ltd
dc.source	Studies in Australasian Cinema
dc.title	Tracing lineages: The work of remembering, mourning and honouring in Romaine Moreton's the Farm
dc.type	Journal article
local.bibliographicCitation.issue	2
local.bibliographicCitation.lastpage	188
local.bibliographicCitation.startpage	179
local.contributor.affiliation	Nugent, Maria, College of Arts and Social Sciences, ANU
local.contributor.authoruid	Nugent, Maria, u1555883
local.description.embargo	2037-12-31
local.description.notes	Imported from ARIES
local.identifier.absfor	210301 - Aboriginal and Torres Strait Islander History
local.identifier.absseo	950503 - Understanding Australia's Past
local.identifier.ariespublication	u5343215xPUB16
local.identifier.citationvolume	7
local.identifier.doi	10.1386/sac.7.2-3.179-1
local.identifier.scopusID	2-s2.0-84888357277
local.type.status	Published Version

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