French Studies: Film Studies

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dc.contributor.authorChaplin, Felicity
dc.contributor.authorKing, Gemma
dc.date.accessioned2022-01-20T03:39:48Z
dc.date.issued2020
dc.date.updated2020-12-06T07:23:10Z
dc.description.abstractCinéma-monde: Decentred Perspectives on Global Filmmaking in French, ed. Michael Gott and Thibaut Schilt, Edinburgh U.P., xiii + 378 pp., adopts a decentred approach to the study of ‘global French-language’ cinemas. It takes up the term cinéma-monde, informed by the littérature-monde debate, as a means of understanding film beyond national frames and the reductive French/francophone binary.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn2222-4297en_AU
dc.identifier.urihttp://hdl.handle.net/1885/258489
dc.language.isoen_AUen_AU
dc.publisherBrillen_AU
dc.rights© 2020 The Authorsen_AU
dc.sourceThe Year's Work in Modern Language Studiesen_AU
dc.titleFrench Studies: Film Studiesen_AU
dc.typeJournal articleen_AU
local.bibliographicCitation.issue1en_AU
local.bibliographicCitation.lastpage271en_AU
local.bibliographicCitation.startpage261en_AU
local.contributor.affiliationChaplin, Felicity, Monash Universityen_AU
local.contributor.affiliationKing, Gemma, College of Arts and Social Sciences, ANUen_AU
local.contributor.authoruidKing, Gemma, u1030687en_AU
local.description.embargo2099-12-31
local.description.notesImported from ARIESen_AU
local.identifier.absfor190200 - FILM, TELEVISION AND DIGITAL MEDIAen_AU
local.identifier.absfor200300 - LANGUAGE STUDIESen_AU
local.identifier.ariespublicationu5163985xPUB58en_AU
local.identifier.citationvolume80en_AU
local.identifier.doi10.1163/22224297-08001011en_AU
local.publisher.urlhttps://brill.com/en_AU
local.type.statusPublished Versionen_AU

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