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In The Evening

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dc.contributor.authorAlwast, Peter
dc.contributor.editorRyan Renshaw
dc.coverage.spatialRyan Renshaw Gallery, Brisbane, Australia
dc.date.accessioned2015-12-13T22:25:46Z
dc.date.created1/04/2013en_AU
dc.date.issued2013-04-01
dc.date.updated2024-04-21T08:16:16Z
dc.description.abstractUtilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading.
dc.format.extent1 works
dc.format.extent120x 144cm Giclee print on Hahnemuhle paper
dc.identifier.urihttp://hdl.handle.net/1885/73409
dc.publisherRyan Renshaw Gallery
dc.rightsUtilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading. The exhibition continues my interest in the relationship of the real to the virtual, the processes of translation between the analogue and digital world and how we may find our place within it. In The Evening 120x 144cm Giclee print on Hahnemuhle paper
dc.sourceFrozen In The Tracks
dc.titleIn The Evening
dc.typeCreative work
local.bibliographicCitation.placeofpublicationBrisbane, Australia
local.contributor.affiliationAlwast, Peter, College of Arts and Social Sciences, ANU
local.contributor.authoruidAlwast, Peter, u5494998
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor190502 - Fine Arts (incl. Sculpture and Painting)
local.identifier.absseo950104 - The Creative Arts (incl. Graphics and Craft)
local.identifier.ariespublicationU3488905xPUB3679
local.type.statusPublished Version

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