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Greenstone jewellery workshops in the Tabon Caves complex of the Philippines

dc.contributor.authorHung, Hsiao-chun
dc.contributor.authorIizuka, Yoshiyuki
dc.contributor.authorBolunia, Mary Jane
dc.contributor.editorLangley, M.
dc.contributor.editorLitster, M.
dc.contributor.editorWright, D.
dc.contributor.editorMay, S.
dc.date.accessioned2019-12-04T03:18:27Z
dc.date.issued2018
dc.date.updated2020-11-22T07:53:26Z
dc.description.abstractIn the 1960s, when Robert Fox excavated the Tabon Caves on Palawan Island of the southwest Philippines, many beautiful jade ornaments were discovered. For several decades, these jade objects were presumed to be imported from Mainland Southeast Asia or China. Through typological, technological and geochemical analyses, the authors re-examined 40 samples from Tabon excavated by Fox. Details are presented here for the greenstone jewellery and worked fragments from the Guri, Uyaw and Tabon Caves. The results confirmed at least three of the caves served as greenstone jewellery workshops for producing at least three types of greenstone (nephrite, serpentinite and mica) ornaments. These studies further suggested that several of the basic forms/styles of greenstone ornaments probably were developed from certain types of jade ornaments in the late Neolithic of Taiwan. It is important to note that the local artistic inputs in the Philippines and cultural influences from neighbouring regions (such as Vietnam) eventually shaped the great variety of Philippine greenstone jewellery. These new results support a re-consideration of the social meaning of the ancient greenstone workshops in the larger context of the South China Sea maritime trade networks more than 2000 years ago.
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.isbn9781138237766en_AU
dc.identifier.urihttp://hdl.handle.net/1885/187280
dc.language.isoen_AUen_AU
dc.publisherRoutledge
dc.relation.ispartofThe Archaeology of Portable Art: Southeast Asian, Pacific, and Australian Perspectives
dc.relation.isversionof1st edition Edition
dc.rights© 2018 selection and editorial matter, Michelle C. Langley, Mirani Litster, Duncan Wright and Sally K. May; individual chapters, the contributors
dc.source.urihttps://www.routledge.com/The-Archaeology-of-Portable-Art-Southeast-Asian-Pacific-and-Australian/Langley-Litster-Wright-May/p/book/9781138237766en_AU
dc.titleGreenstone jewellery workshops in the Tabon Caves complex of the Philippines
dc.typeBook chapter
local.bibliographicCitation.lastpage89en_AU
local.bibliographicCitation.placeofpublicationOxford and New York
local.bibliographicCitation.startpage68en_AU
local.contributor.affiliationHung, Hsiao-Chun, College of Asia and the Pacific, ANUen_AU
local.contributor.affiliationIizuka, Yoshiyuki, Academia Sinicaen_AU
local.contributor.affiliationBolunia, Mary Jane, National Museum of the Philippinesen_AU
local.contributor.authoruidHung, Hsiao-Chun, u4063057en_AU
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.description.refereedYes
local.identifier.absfor210103 - Archaeology of Asia, Africa and the Americasen_AU
local.identifier.absseo970121 - Expanding Knowledge in History and Archaeologyen_AU
local.identifier.ariespublicationu5786633xPUB175en_AU
local.identifier.doi10.4324/9781315299112-6
local.publisher.urlhttps://www.routledge.com/en_AU
local.type.statusPublished Versionen_AU

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