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Endless Analogue: Situating Vintage Technologies in the Contemporary Recording Workplace

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dc.contributor.authorBennett, Samantha
dc.date.accessioned2015-12-07T22:42:50Z
dc.date.issued2012
dc.date.updated2015-12-07T11:11:54Z
dc.description.abstractThis paper illustrates a range of contemporary contexts where technological precursors are regularly applied in recording sessions by renowned practitioners and/ or studios. Such applications are commonly attributed to nostalgia, fashion or �retro� aesthetics; these issues are critically deconstructed. Implementing a largely critical ethnographic methodology to incorporate interview material with UK practitioners in 3 case study examples, the main investigative foci concern issues of source, practicality, iconicity, context, sonic quality and authenticity.
dc.identifier.issn1754-9892
dc.identifier.urihttp://hdl.handle.net/1885/24713
dc.publisherAssociation for the Study of the Art of Record Production
dc.sourceJournal on the Art of Record Production
dc.source.urihttp://arpjournal.com/content/issue-7/
dc.titleEndless Analogue: Situating Vintage Technologies in the Contemporary Recording Workplace
dc.typeJournal article
local.contributor.affiliationBennett, Samantha, College of Arts and Social Sciences, ANU
local.contributor.authoruidBennett, Samantha, u5397955
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor190409 - Musicology and Ethnomusicology
local.identifier.ariespublicationU3650076xPUB34
local.identifier.citationvolumeVol. 7
local.type.statusPublished Version

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