Boomalli Aboriginal Artists Co-operative: Interview with Hetti Perkins and Brenda Croft

dc.contributor.authorMcGrath, Ann
dc.contributor.authorPerkins, Hetti
dc.contributor.authorCroft, Brenda
dc.date.accessioned2017-04-26T03:38:20Z
dc.date.issued1995-10
dc.description.abstractThis interview took place in a back room of the Boomalli Aboriginal Artists Coop, Abercrombie St, Sydney, on the 10th February, 1995, surrounded by easels and half·complete works of art, the paint smell bringing back all the fond memories of working with paint. The first time I visited Boomalli was to choose a work for the cover of a forthcoming book on Aboriginal history. Hetti told me this was the room the artist, Harry Wedge, used for a studio. Hetti, who I had first met as an undergraduate student at the University of New South Wales some years ago, was now about a month off having her third child. I had not met Brenda before, but had heard of her as a key figure in the NSW art world.en_AU
dc.format14 pagesen_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn0023-656Xen_AU
dc.identifier.urihttp://hdl.handle.net/1885/116189
dc.publisherTaylor & Francis (Routledge)en_AU
dc.rights© Taylor & Francis (Routledge)en_AU
dc.sourceLabor Historyen_AU
dc.subjectAustralian Historyen_AU
dc.subjectAboriginal Historyen_AU
dc.titleBoomalli Aboriginal Artists Co-operative: Interview with Hetti Perkins and Brenda Croften_AU
dc.typeJournal articleen_AU
dcterms.accessRightsOpen Accessen_AU
local.bibliographicCitation.lastpage230en_AU
local.bibliographicCitation.startpage217en_AU
local.contributor.affiliationAustralian Centre for Indigenous Historyen_AU
local.contributor.authoremailann.mcgrath@anu.edu.auen_AU
local.contributor.authoruidu4054197en_AU
local.description.embargo2037-12-31
local.identifier.citationvolume69en_AU
local.identifier.essn1469-9702en_AU
local.identifier.uidSubmittedByu4005841en_AU
local.publisher.urlhttp://www.routledge.com/en_AU
local.type.statusPublished Versionen_AU

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