The power of music: The significance of contrafactum in execution ballads
| dc.contributor.author | McIlvenna, Una | en |
| dc.date.accessioned | 2025-12-17T19:41:10Z | |
| dc.date.available | 2025-12-17T19:41:10Z | |
| dc.date.issued | 2015-08-28 | en |
| dc.description.status | Peer-reviewed | en |
| dc.format.extent | 43 | en |
| dc.identifier.issn | 0031-2746 | en |
| dc.identifier.scopus | 84948155597 | en |
| dc.identifier.uri | https://hdl.handle.net/1885/733796273 | |
| dc.language.iso | en | en |
| dc.source | Past and Present | en |
| dc.title | The power of music: The significance of contrafactum in execution ballads | en |
| dc.type | Journal article | en |
| dspace.entity.type | Publication | en |
| local.bibliographicCitation.lastpage | 89 | en |
| local.bibliographicCitation.startpage | 47 | en |
| local.contributor.affiliation | McIlvenna, Una; Queen Mary University of London | en |
| local.identifier.citationvolume | 229 | en |
| local.identifier.doi | 10.1093/pastj/gtv032 | en |
| local.identifier.pure | 9d16ac69-d745-440f-88a1-b703fff51389 | en |
| local.identifier.url | https://www.scopus.com/pages/publications/84948155597 | en |
| local.type.status | Published | en |