Beyond Bali : expanding postcolonial visions of intimacy and performance in the contemporary Netherlands
Abstract
This thesis is an ethnography of Balinese individuals living in the Netherlands and their
non-Balinese partners. It examines Balinese peoples’ cultural identification beyond Bali
in relation to gender and class and the socio-economic and political circumstances of
migration. I argue that Balinese culture is historically changing in a creative interplay
with foreign influences, specifically Dutch colonialism, the Indonesian state and
tourism. Acknowledging significant differences in how Balinese men and women invest
in and relate to Balinese culture, the thesis explores the processes of identification in
both the domestic sphere of conjugal intimacies and the public performance of dance,
feasts and rituals.
It further examines several nodes of transnational interactions between Bali and the
Netherlands, exploring how histories of empire have shaped and reshaped
contemporary imaginations of Oriental and Occidental places. I focus on how
contemporary cross-cultural exchanges create fluid spaces of ambivalence, struggle and
negotiations based on the interaction of bodies historically inscribed with particular
meanings of gender, race and economy. I suggest that novel categorisations and
policies towards non-Western foreigners in the Netherlands are producing a new
racism and influence the subjectivity of those so labelled. State polices inflect race, class
and gender through powerful discourses that shape personal expectations and
subjectivities in everyday life.
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