The cinematic aesthetization of technology and its recontextualization : Fanck's Bergfilme in Germany and Hollywood
| dc.contributor.author | Inkster, Darlene Anne | |
| dc.date.accessioned | 2018-11-22T00:04:01Z | |
| dc.date.available | 2018-11-22T00:04:01Z | |
| dc.date.copyright | 2008 | |
| dc.date.issued | 2008 | |
| dc.date.updated | 2018-11-19T23:51:12Z | |
| dc.format.extent | 374 leaves | |
| dc.identifier.other | b2382535 | |
| dc.identifier.uri | http://hdl.handle.net/1885/149751 | |
| dc.language.iso | en_AU | en_AU |
| dc.rights | Author retains copyright | en_AU |
| dc.subject.lcc | PN1993.5.G3 I57 2008 | |
| dc.subject.lcsh | Fanck, Arnold, 1889-1974 Influence | |
| dc.subject.lcsh | Motion pictures, German Influence United States | |
| dc.subject.lcsh | Motion pictures, American InfluenceGermany | |
| dc.subject.lcsh | Motion pictures History Germany | |
| dc.subject.lcsh | Technology in motion pictures | |
| dc.title | The cinematic aesthetization of technology and its recontextualization : Fanck's Bergfilme in Germany and Hollywood | |
| dc.type | Thesis (PhD) | en_AU |
| dcterms.accessRights | Open Access | en_AU |
| local.description.notes | Thesis (Ph.D.)--Australian National University | en_AU |
| local.identifier.doi | 10.25911/5d6119c3319a4 | |
| local.mintdoi | mint | |
| local.type.status | Accepted Version | en_AU |
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