Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

Rhythm, intonation and focus in Mandarin : syllabic volume as an acoustic correlate of metrical structure

Loading...
Thumbnail Image

Date

Authors

Xie, Guanghua

Journal Title

Journal ISSN

Volume Title

Publisher

Canberra, ACT : The Australian National University

Abstract

In the last decade the theory of metrical phonology has been an important development in linguistic theory. It began by concentrating on stress and rhythmical phenomena in English. The main idea of metrical phonology is that phonological strings are not merely linear sequences but are hierarchically structured. Stress patterns of rhythm reflect, to some extent at least, relations of prominence between the constituents of sentences. The relative prominence of each constituent in a metrical tree is indicated by nodes at different levels. Each node is labeled either s or w where s means 'stronger than' and w means 'weaker than' its sister node (Hogg and McCully 1987: 62-75). However, how can the relationship between strong and weak constituents be interpreted physically? What kind of value can be identified as an acoustic correlate of metrical structure? Up to now there has been little work addressing these problems. In this thesis I concentrate on· these questions in relation to rhythm, intonation, and focus in the Mandarin sentence JINTIAN TA BAN JIA (She/he is moving house today). The aim of my thesis is to develop the hierarchical rhythm approach and suggest that syllabic volume (a three dimensional acoustic value) can be identified as the acoustic correlate of metrical structure.

Description

Keywords

Citation

Source

Book Title

Entity type

Access Statement

Open Access

License Rights

Restricted until