Rhythm, intonation and focus in Mandarin : syllabic volume as an acoustic correlate of metrical structure
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Xie, Guanghua
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Canberra, ACT : The Australian National University
Abstract
In the last decade the theory of metrical phonology has
been an important development in linguistic theory. It began by
concentrating on stress and rhythmical phenomena in English. The main
idea of metrical phonology is that phonological strings are not merely linear
sequences but are hierarchically structured. Stress patterns of rhythm reflect,
to some extent at least, relations of prominence between the constituents of
sentences. The relative prominence of each constituent in a metrical tree is
indicated by nodes at different levels. Each node is labeled either s or w
where s means 'stronger than' and w means 'weaker than' its sister node
(Hogg and McCully 1987: 62-75). However, how can the relationship between
strong and weak constituents be interpreted physically? What kind of
value can be identified as an acoustic correlate of metrical structure? Up to
now there has been little work addressing these problems. In this thesis I
concentrate on· these questions in relation to rhythm, intonation, and focus
in the Mandarin sentence JINTIAN TA BAN JIA (She/he is moving house
today). The aim of my thesis is to develop the hierarchical rhythm approach
and suggest that syllabic volume (a three dimensional acoustic value) can be
identified as the acoustic correlate of metrical structure.
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