Creativity and interpretation : a model of the observational identification of creativity, applied to musical activities
| dc.contributor.author | Laslett, Adam John | |
| dc.date.accessioned | 2018-11-22T00:06:32Z | |
| dc.date.available | 2018-11-22T00:06:32Z | |
| dc.date.copyright | 2005 | |
| dc.date.issued | 2005 | |
| dc.date.updated | 2018-11-21T03:02:35Z | |
| dc.format.extent | xii, 471 leaves | |
| dc.identifier.other | b2332861 | |
| dc.identifier.uri | http://hdl.handle.net/1885/150764 | |
| dc.language.iso | en_AU | en_AU |
| dc.rights | Author retains copyright | en_AU |
| dc.subject.lcsh | Music Philosophy and aesthetics | |
| dc.subject.lcsh | Creative ability | |
| dc.subject.lcsh | Musical ability | |
| dc.title | Creativity and interpretation : a model of the observational identification of creativity, applied to musical activities | |
| dc.type | Thesis (MPhil) | en_AU |
| dcterms.accessRights | Open Access | en_AU |
| local.description.notes | Thesis (M. Phil.)--Australian National University, 2005 | |
| local.identifier.doi | 10.25911/5d5e70dfe64a5 | |
| local.mintdoi | mint | |
| local.type.status | Accepted Version | en_AU |
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