Gillian Whitehead: Okuru (1979)

dc.contributor.authorComposer: Gillian Whitehead
dc.contributor.authorSchneider, Rotraud
dc.contributor.authorHerscovitch, Daniel
dc.contributor.editorPainter, John
dc.contributor.editorStines, Niven
dc.date.accessioned2024-10-30T22:31:34Z
dc.date.available2024-10-30T22:31:34Z
dc.date.issued1979
dc.description.abstract"Okuru is a Maori word meaning the fifth day of the new moon, and the work is one of a sequence of pieces that take their titles from that culture. The piece falls into four main sections, all based on various aspects of the same source material. In the first and third sections, various types of rhythmic figurations (elaborations of the basic ground plan) occur in both instruments in interlocking, rather than coinciding, segments. In the second section, the violin plays arabesques above a continual semiquaver rhythm, preceded, interrupted and concluded by variations of a chorale-like melody. The final section, which begins with the opening piano figurations of each of the previous sections, is essentially a 3:2 retrograde canon between piano and violin, the piano weaving its elaborate material around the continuing line of the violin. Okuru was written in 1979, and was first performed in Auckland by Mary O'Brien and Janetta McStay." -- Gillian Whitehead
dc.format.mimetypeaudio/wav
dc.identifierCSM17T1
dc.identifier.urihttps://hdl.handle.net/1885/733722822
dc.provenanceDigitised by the Australian National University in 2024.
dc.publisherCanberra School of Music, Australian National University
dc.relation.ispartofseriesAnthology of Australian Music ; Series 2
dc.relation.ispartofseriesAnthology of Australian Music on Disc (17)
dc.relation.ispartofseriesCSM 17: Herscovitch/Schneider Music for Violin and Piano
dc.rights© 1994 Canberra School of Music
dc.subjectClassical Music
dc.titleGillian Whitehead: Okuru (1979)
dc.typeSound recording
local.description.notesProduced by: Rotraud Schneider & Daniel Herscovitch ; Recorded by: John Davies ; Recorded at: Canberra School of Music ; Recording date: 12 May 1986 ; Violin: Rotraud Schneider ; Piano: Daniel Herscovitch

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