Imagining Taiwan : the making and the museological representation of art in Taiwan's quest for identity (1987-2010)

Abstract

This thesis probes and analyses the critical role of art in the shaping of Taiwan's national identity during the period 1987-2010. With the rise of democratisation and national identity consciousness (bentu yishi), Taiwan's quest for national identity intensified after the lifting of martial law in 1987. The thesis challenges the view that art has played an inconsequential role in this identity discourse by demonstrating that artists, curators and art museums have significantly contributed towards the processes of identity formation, particularly during the peak period of the early-mid 1990s. Focusing on the nature and extent of the contribution of artists, curators and art museums to Taiwan's quest for identity, the thesis explores how national identity narratives were imagined, interpreted, projected and transmitted, nationally and internationally, through the production, selection and exhibition of art from Taiwan. Structurally, the thesis contextualizes each socio-political period, providing the backdrop for a series of case studies. These demonstrate how artists, curators and art museums became active agents in the processes of national identity formation, not only promoting but also critiquing and contesting identity narratives revolving around the concept of a 'Taiwan nation'. Given that national identities are relational and fluid constructs, the thesis reveals how identity discourses in art had diminished in significance by the early twenty-first century when globalisation, the rise of China, and art market forces transformed identity discourses in art from a Taiwan-centred narrative into one embracing not only regional and global perspectives but, most critically, dialogue and exchange with China.