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Papal thought on the nature of sacred music

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dc.contributor.authorHope, Alison.
dc.date.accessioned2026-10-20T21:30:33Z
dc.date.available2026-10-20T21:30:33Z
dc.date.issued1998-01
dc.description47 p. 30 cm.
dc.description.abstractA member of any modern Catholic congregation, turning up two minutes after Mass had begun, would not be surprised to hear seeping out from the church the strains of congregational hymns, a solo singer on a microphone, or a folk mass, replete with drums and electric guitar.
dc.format.mimetypeapplication/pdf
dc.identifier.other991017185989707631
dc.identifier.otherb20196660
dc.identifier.urihttps://hdl.handle.net/1885/733816375
dc.language.isoen
dc.provenanceDigitised by The Australian National University in 2026.
dc.subjectChurch music -- Catholic Church -- History.
dc.subjectPapacy
dc.titlePapal thought on the nature of sacred music
dc.typeGraduate. Diploma in Music (Musicology)
dcterms.valid1998
local.contributor.affiliationHope, A., College of Arts and Music, The Australian National University
local.contributor.supervisorHolmes, Robyn
local.description.notesThesis (Grad. Dip. Music (Musicology))--Canberra School of Music, Institute of the Arts, Australian National University, 1998.
local.description.notesCanberra School of Music |x Dissertations.
local.identifier.doi10.25911/0Y4K-S892
local.mintdoimint
local.type.degreeGraduate. Diploma

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