Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace

Loading...
Thumbnail Image

Date

Authors

Banks, Charlotte Susan

Journal Title

Journal ISSN

Volume Title

Publisher

Abstract

This project explores how drawing and painting based on extended observation can render vitality. Having embedded myself in my local automotive repair workshop, I made a large number of experimental paintings and drawings. I tested how forms of figuration and abstraction varied in their ability to convey the vitality of the scene and the painter’s presence. The investigation led to a final body of paintings in which areas of figuration broke down, allowing other elements such as gesture and colour to be freed from form, and to convey energy, rhythm, noise and rotation. This particular capacity of drawing and painting means that those practices still have a place to play in the depiction of everyday workplaces—currently, largely, the province of photography and documentary filmmaking.

Description

Citation

Source

Book Title

Entity type

Access Statement

License Rights

Restricted until