Industrial Landscapes of Socialist Realism

dc.contributor.authorSmith, Craig A.
dc.date.accessioned2020-06-19T03:25:04Z
dc.date.available2020-06-19T03:25:04Z
dc.date.issued2018-04
dc.description.abstractAlthough industrial landscapes today appear as one of the most alien of art forms, they were once fundamental as backgrounds of socialist realist paintings. This essay examines the legacies of two masters of the genre in China and North Korea—Song Wenzhi (1919–1999) and Chōng Yōngman (1938–1999)—and demonstrates how different revolutionary histories have led to a divergence in legacy and achievement.en_AU
dc.identifier.isbn9781760461980en_AU
dc.identifier.urihttp://hdl.handle.net/1885/205387
dc.language.isoen_AUen_AU
dc.publisherANU Press
dc.relation.ispartofGilded Age: Made in China Yearbook 2017en_AU
dc.rightsAuthor/s retain copyrighten_AU
dc.rights.licenseCreative Commons licence (CC BY-NC-ND; creativecommons.org/licenses/by-nc-nd/4.0/)en_AU
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en_AU
dc.titleIndustrial Landscapes of Socialist Realismen_AU
dc.typeBook chapteren_AU
dcterms.accessRightsOpen Access via publisher websiteen_AU
local.contributor.authoremailanupress@anu.edu.auen_AU
local.identifier.ariespublicationu5557297xPUB312
local.identifier.doi10.22459/MIC.04.2018.41en_AU
local.identifier.uidSubmittedByu4026086en_AU
local.publisher.urlhttps://press.anu.edu.au/en_AU
local.type.statusMetadata onlyen_AU

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