Ren Hang: Bodies Without Redemption

dc.contributor.authorShuxia, Chen
dc.date.accessioned2021-11-11T02:18:15Z
dc.date.available2021-11-11T02:18:15Z
dc.date.issued2017-06
dc.description.abstractOn 24 February 2017, photographer Ren Hang leapt to his death from a twenty-eight-floor building in Beijing. He had not yet turned thirty, but his work had already attracted considerable international attention. This essay retraces the path of Ren’s life, contextualising it within the rapidly developing field of Chinese photography. Beginning with the emergence of ‘private photography’ in China in the early 2000s, the article describes how a cultural industry made up of independent-publishing and photo fairs has blossomed in contemporary China.en_AU
dc.identifier.issn22069119en_AU
dc.identifier.urihttp://hdl.handle.net/1885/251746
dc.language.isoen_AUen_AU
dc.publisherANU Pressen_AU
dc.rightsAuthor/s retain copyrighten_AU
dc.rights.licenseCreative Commons licence (CC BY-NC-ND; creativecommons.org/licenses/by-nc-nd/4.0/)en_AU
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en_AU
dc.sourceMade in China Journalen_AU
dc.titleRen Hang: Bodies Without Redemptionen_AU
dc.typeJournal articleen_AU
dcterms.accessRightsOpen Access via publisher websiteen_AU
local.bibliographicCitation.issue2en_AU
local.contributor.authoremailanupress@anu.edu.auen_AU
local.identifier.citationvolume2en_AU
local.identifier.doi10.22459/MIC.02.02.2017.10en_AU
local.identifier.uidSubmittedByu4026086en_AU
local.publisher.urlhttps://press.anu.edu.au/en_AU
local.type.statusMetadata onlyen_AU

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