Images that quiver : the in/visible geographies of 'Southeast Asian' contemporary art
Despite what mainstream knowledge of Southeast Asian contemporary art of the 1990s might suggest, Southeast Asian artists have not been exclusively interested in matters of cultural biography in their art practice. In this thesis, I engage with the art of several established artists from Indonesia, Malaysia, the Philippines, and Singapore to take issue with the dominant interpretative frames of cultural origin which have informed representations of Southeast Asian contemporary art in art...[Show more]
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