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Beyond Familiar Territory: Dissertation: De-centering the Centre (An analysis of visual strategies in the art of Robert Smithson, Alfredo Jaar and the Bark Petitions of Yirrkala); and Studio Report: A Sculptural Response to Mapping, Mining, and Consumption

Schwarz, Janien (Nien)

Description

Dissertation: "Beyond Familiar Territory" researches various visual and conceptual strategies that facilitate connection between urban-based audiences and peripheral areas of ground where the extraction of mineral resources occurs. The Dissertation is a comparative analysis of selected works by Robert Smithson, Alfredo Jaar, and the Bark Petitions of the Yirrkala people in North East Arnhem Land. The focus is on how these artists have endeavoured to challenge urban audiences, disrupt the...[Show more]

dc.contributor.authorSchwarz, Janien (Nien)
dc.date.accessioned2010-08-19T01:13:37Z
dc.date.accessioned2011-01-04T02:34:16Z
dc.date.available2010-08-19T01:13:37Z
dc.date.available2011-01-04T02:34:16Z
dc.identifier.otherb20278664
dc.identifier.otherb20278718
dc.identifier.urihttp://hdl.handle.net/1885/49354
dc.description.abstractDissertation: "Beyond Familiar Territory" researches various visual and conceptual strategies that facilitate connection between urban-based audiences and peripheral areas of ground where the extraction of mineral resources occurs. The Dissertation is a comparative analysis of selected works by Robert Smithson, Alfredo Jaar, and the Bark Petitions of the Yirrkala people in North East Arnhem Land. The focus is on how these artists have endeavoured to challenge urban audiences, disrupt the perceived hierarchy between centre and periphery, and bridge gaps between urban sites of mineral consumption and overlooked sites of mineral extraction. ¶ "Beyond Familiar Territory" takes the form of this Dissertation (33%), and an exhibition of works at the Canberra Museum and Gallery (CMAG) from 6 February to 21 March, 1999, which, together with the Studio report, documents the outcome of the Studio Practice Component (67%).¶ ...
dc.language.isoen
dc.rights.uriThe Australian National University
dc.subjectsculpture, art, mining, geology, maps, Robert Smithson, Alfredo Jaar, bark petitions, Yirrkala, ecology, consumerism
dc.titleBeyond Familiar Territory: Dissertation: De-centering the Centre (An analysis of visual strategies in the art of Robert Smithson, Alfredo Jaar and the Bark Petitions of Yirrkala); and Studio Report: A Sculptural Response to Mapping, Mining, and Consumption
dc.typeThesis (PhD)
dcterms.valid1999
local.description.notesNote: Author has set his own password. Thesis also included a website, neither the address nor the contents of which were able to be downloaded
local.description.refereedyes
local.type.degreeDoctor of Philosophy (PhD)
dc.date.issued1999
local.contributor.affiliationThe Australian National University
local.contributor.affiliationCanberra School of Art, Faculty of Arts
local.identifier.doi10.25911/5d7a2d1680b55
local.mintdoimint
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08ReportCh9-11.pdf9.88 MBAdobe PDFThumbnail
07ReportCh5-8.pdf8.56 MBAdobe PDFThumbnail
06ReportCh1-4.pdf10.97 MBAdobe PDFThumbnail
05ReportFront.pdf733.42 kBAdobe PDFThumbnail
04DissertationBibliography.pdf432.65 kBAdobe PDFThumbnail
03DissertationCh4-5.pdf5.02 MBAdobe PDFThumbnail
02DissertationCh1-3.pdf4.52 MBAdobe PDFThumbnail
01DissertationFront.pdf234.19 kBAdobe PDFThumbnail


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