The Emergence of a New Public Art in Beijing, Shanghai and Hong Kong from 1990 to 2012
This thesis is concerned with how two main genres of public art: traditional and 'new genre public art' evolved in Beijing, Shanghai and Hong Kong between 1990 and 2012 in response to political, economic, spatial, social and cultural changes. Since 1990, Chinese public art has focused on traditional forms of public art and the relationship of public art to architecture and urban planning. Unique forms of public art and architecture, I argue, have also been emerging amidst a dynamic of...[Show more]
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