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Musical mavericks : the work of Roy Agnew and Hooper Brewster-Jones as an Australian counterpart to European modern music 1906-1949

Bowan, Kate


In 1920 the Lone Hand reported that Sydney composer Roy Agnew (1891-1944) had “after much anxious consideration been forced to abandon the limitations of key and tonal relationship.” For this transgression, he was branded, among other things, a musical Bolshevik. Three years later in Adelaide, Hooper Brewster-Jones (1887-1949) wrote the first of his “formula” pieces which are part of a larger body of works that experiment with various aspects of musical language. In this thesis, I will...[Show more]

CollectionsOpen Access Theses
Date published: 2007
Type: Thesis (PhD)
DOI: 10.25911/5d778753672d1


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