Jai Kishan Ragmala, third quarter of the 18th century, Malpura, Marwar (Cambridge, Fogg Museum of Art)

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Photographer: Arthur Llewellyn Basham

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Throughout its history, Marwar painting preserved much of the turbulent and vital spirit of the pre-Muslim tradition. The painting shown here reflects the traditional Indian desire to reduce reality to visionary forms. The composition is compartmentalized, the colours are intense, and the figures are expressively stylized.

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Miniature Painting, Rajasthan: Mewar, Bundi, Kotah, Marwar (Jodhpur), Kishangarh, Jaipur, Amber, Bikaner, etc., paintings, miniatures, slide set

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This item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.

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The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.


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