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The Herds Return at Dusk, late 18th century (Cambridge, Fogg Museum of Art)

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dc.contributor.authorPhotographer: Arthur Llewellyn Basham
dc.coverage.spatialIndia
dc.date.accessioned2019-12-06T00:12:26Z
dc.date.available2019-12-06T00:12:26Z
dc.date.updated2019-12-06T00:12:25Z
dc.descriptionFor a time, the pre-Muslim traditions enjoyed a resurgence, as the Mughal Empire waned and the foreign successors sought to gain control. Mughal iconography retained its hold, however, and hunting scenes, portraits, and other secular subjects continued to be popular. Although the general trend during the period was away from the Mughal style, certain courts made a sharper break than others. At Jaipur and Kishangarh, for instance, artists continued to produce paintings with the fine Mughal finish well into the nineteenth century, while at Uniara, a rougher treatment soon became prevalent.
dc.format.extent35mm
dc.format.mediumslide
dc.format.mediumcolour
dc.format.mediumsepia
dc.identifierANUA 682-3381
dc.identifier.otherIIP-4235
dc.identifier.other36
dc.identifier.urihttp://hdl.handle.net/1885/188332
dc.language.isoen_AU
dc.provenanceDigitised by the Australian National University in 2019
dc.rights.licenseThis item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.
dc.subjectPahari Miniature Painting, Kangra: Tira-Sujanpur, Nurpur, Mandi etc.
dc.subjectpaintings
dc.subjectminiatures
dc.subjectslide set
dc.titleThe Herds Return at Dusk, late 18th century (Cambridge, Fogg Museum of Art)
dc.typeImage
dspace.entity.typeANUArchivesItem

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