Morphy, Howard2009-09-222010-12-202009-09-222010-12-20Humanities Research 8.1 (2001): 37-501440-06691834-8491http://hdl.handle.net/10440/897http://digitalcollections.anu.edu.au/handle/10440/897One of the great embarrassments confronting the art world in the postcolonial context is the recent history of the exclusion of much of the world’s ‘artistic’ production from the hallowed walls of the fine art galleries of the West (Sally Price’s ‘civilised places’). One might ask: how was it that it was excluded for so long and who is to blame for keeping all this art out? However, rather than attributing blame, it is much more interesting to analyse the historical process of its inclusion.14 pageshttp://epress.anu.edu.au/faqs/faqs_copyright.html#1 "Authors are not permitted to publish works published by ANU E Press on any other web site except their personal sites or sites associated with their institutions, as long as these are non-commercial sites. Authors are permitted to post the title and abstract of their book on any relevant web site as well as posting links on any site that direct readers to ANU E Press site." - from publisher web site (as at 19/02/10)2009-09-222015-12-10